Beam Me Up, Scotty!

Rather than just sit idly by from the comfort of my western sofa (made in China?) and passively watch world events unfold on my computer screen (made in Taiwan), I decided to do something. I was also rather worried about standing accused of not doing my bit by Jan Wildeboer (seemingly made backwards in Holland like the cheese).

So, with my brain (made in the UK), my authentic fake Harmony Sovereign acoustic guitar (made in Korea), my Samson microphone (made in the USA?) and the lovely free software Audacity I decided last night to re-write Billy Bragg's lyrics to Waiting For The Great Leap Forwards (as Bragg often does himself to reflect current times) and this morning I recorded my version of his classic song, which is a long-time favourite of mine. I've been privately playing and singing my own version of it for several years, so you'd think I'd be better at it by now. But in mitigation, I wasn't allowed to learn to play the violin when I was eight years old because I was told I was tone deaf and when I was fifteen my then headmaster at school refused to allow me to sing The Streets Of London in assembly because I was singing flat. I also have a disability when it comes to remembering song lyrics and I almost always fall to pieces when confronted with a microphone and a the prospect of an audience. My version is also a little slower (and therefore longer) than the original. So you have been warned!

So here's my rendition:

We’re not going on our Winter holidays in the sun, cries crony Blair ‘Cos on the Sixth of October highway leading on to Tahrir Square BJ Clinton’s missus spies a rich friend who's crying Over Luxor's disappointments so she talks over and she's trying To sympathise with him But she thinks that she should warn him That the USA can't stop this revolution

In the Middle Eastern states the citizens demand To know why they're still the target of Strategic Air Command And they shake their fists in anger And respectfully suggest That we fuck off and let them sell their own oil instead

The Iraq War now is over, but the death toll keeps getting higher I'm scared to death of suicide bombers and frightened of friendly fire And I don't believe we can ever win An endless War of Terror While our politicians are arms dealers

From folk protest to popular product*, I wonder what my use is I text a friend, my homeopath and my antipodean masseuses While looking undercover For anyone who might be listening I'm looking for a News of the World reporter

Music sales are hijacked by pirates that have posted Even after closing Wikileaks their website is re-hosted You can be active with the activists or Get bed bugs with the Tweeters I'm waiting for the great leap forwards

One leap forwards, two leaps back Will Facebook get me in the sack? Waiting for the great leap forwards

Well, here comes the future and you can't change it If you've got a blacklist I don't wanna be on it Waiting for the great leap forwards

It's a mighty long way from rock and roll Singing songs in your bedroom while signing on the dole Waiting for the great leap forwards

If no one out there understands Just walk like an Egyptian and fill out the claim forms Waiting for the great leap forwards

In a perfect world we'd all sing in tune But this is virtual reality, we just use auto-tune Waiting for the great leap forwards

So join the struggle while you may The revolution is just a podcast away Waiting for the great leap forwards

*Line ripped from the title of my old mate and bass master Aaron's dissertation on popular music, culture and ideology 'From Protest To Product'.

Special thanks must go to Tone Deaf Music without whose brilliant customer service in replacing my broken bridge pins none of this would have been possible. They also do a fabulous range of Spongebob Squarepants guitars, so when the revolution is over and you've finished watching The Story Of Stuff to find out where all your stuff comes from and goes (and at what cost), you can go out an treat yourself.

P.S.

In the name of Freedom, here is the song in Ogg format: Waiting For The Great Leap Forwards (alternative version)

Please Help Stop This Crazy #ThreeStrikes Bill

Please write to the Lords about the Digital Economy Bill, today

Jim Killock, 01 December 2009
Tomorrow, the Digital Economy Bill is debated by the Lords in its Second Reading.
This is the first serious discussion of the contents of the Bill: so we need to make sure the Lords know that this Bill is currently going to be a disaster for justice and the digital economy.
Only Lords that speak tomorrow will, by convention, take part in the crucial committee stage of the Bill, where we can expect the Lords to make serious changes to the sections on disconnection on accusation and copyright law by diktat.
And we know massive industry lobbying is taking place: we need your help to redress the balance.
That’s why we need you to write to the Lords today: either a random Lord, since we don’t have direct representation, or perhaps a Lord you know from previous work.
Please use the ‘random Lord’ button on write to them. If you like, send your letter to more than one Lord.
My own effort:

FOR THE ATTENTION OF:
Lord Brookman
House of Lords

Tuesday 1 December 2009

David Marsden
41 Ridge Avenue
Winchmore Hill
London
N21 2RJ
david.marsden@enfieldclubhouse.org.uk

Dear Lord Brookman,

Digital Economy Bill: Brief to Lords on Second Reading

I run a small, local charity, which supports people with severe and enduring mental health problems rebuild their confidence and skills in order to return to work, education and meaning full lives in the community.

A major and exciting part of this work is learning how to use computers and the internet as most of my clients do not have access at home. The risk of unlawful downloading by clients, staff, volunteers and other community groups that hire out or use our facilities would be too great to bear as any resulting disconnection would have a catastrophic effect on running the charity itself. Yet, if we were to prevent or discontinue internet use or to attempt to supervise every second of use this too would be counter-productive to our stated aims and ethos of working and totally beyond our very limited resources.

This Bill, if it becomes law in it's current state, could have serious implications for organisations like mine and have a wholly negative effect on the government's efforts to promote return to work and social inclusion for disabled people.

Please speak tomorrow in the House of Lords if you share or support any of the views stated above.

Yours sincerely,

David Marsden
Chief Executive
Enfield Clubhouse
www.enfieldclubhouse.org.uk

Beauty Walks A Razor’s Edge



Recently, I've been spending time going through dusty boxes and transferring to my hard drive demo and rehearsal tapes of my old bands. Such was the lack of acclaim and clamour for more - strangely reminiscent of the actual times themselves - I decided now would be as good a time as any to upload my own version of one of my favourite Bob Dylan songs, recorded live and mixed today. That's what Sundays are for, right?

I didn't always like Bob Dylan. In fact, I hated Dylan for years, mostly because my Dad liked him, that and his terrible, whiny voice and repetitive, boring chords. So naturally enough, the first Dylan song I ever got into was Masters Of War - a finer example of dear old Bob's whiny repetition it's hard to find! But the words - and later I began to learn to appreciate the voice and the music, too - are filled with such meaningful venom, as appropriate then as they are now:

And I hope that you die
And your death'll come soon
I will follow your casket
In the pale afternoon
And I'll watch while you're lowered
Down to your deathbed
And I'll stand o'er your grave
'Til I'm sure that you're dead
It was probably not until 1999 that I first heard Shelter From The Storm and the "Blood On The Tracks" album. That's the time I remember trying to figure out how to play it. I heard it on FlashForward the other night and with the weather we've been having lately it reminded me of a storm I encountered in August. It's a while since I played it - or played anything for that matter - and my finger tips were raw by the end of it.

I didn't realise back then that it's an open tuning, so my version is a little different from the original and slower. And my voice is obviously nothing in comparison to Dylan's, which I hear now very differently. But I enjoy playing it and this is probably the best I've sung it!


 1

About

It’s Just A Ride. Today a young man on acid realized that all matter is merely energy condensed through a slow vibration, we are all one consciousness experiencing itself subjectively, life is only a dream and we are the imaginations of ourselves. Here's Tom with the weather. Bill Hicks

Time travel

Time travel

Space travel

Space travel

User